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It covers the Little Giant Combo (BH5-112) from the musician’s perspective. Check out Doron’s site one track will clue you in that he knows his stuff. His ability to blend into virtually any style says something about the versatility of this little combo. Without further ado the writings of Doron Zor (the first bit reads like a haiku awesome!):
The Little Giant.
By Doron Zor
One channel with a five-watt/three-watt selector.
Three-band EQ which allows easy manipulation of frequency.
The difference between the five and the three-watt feature makes all the difference in the world when you step into a studio situation.
Many players will agree with me on this. Who wouldn’t want to play an amp at bedroom volume and yet still get the same huge sound that you get when the amp is cranked? I had the pleasure of working with this amp in the studio the very same day I received it. I found that even at low volume i still had tons of “punch” to my sound. I used a Sennheiser e906 and Shure SM57. Very common and simple microphones.
EQ, compressors or any other modification was done to the sound).
(No EQ, compressors or any other modification was done to the sound).
Due to the fact that the Little Giant is a Class-A amp. You can count on it to respond to your attack. If you use humbuckers, most likely it will breakup faster than a guitar with single pickup configuration.
Sounds and Options
This amp has got to be the easiest plug-and-play amps I have ever used. Whether you play jazz, rock, funk, blues, smooth jazz or whatever you can come up with. You can just tweak the onboard EQ to suit your sound. Before I had the Little Giant I used pedals to get certain sounds. Now I find, I just need to move some buttons around and I can achieve a great tone.
Recently I was hired for a smooth jazz project. The producer is a huge Lee Ritenour fan. You know that big semi-hollow body sound with a slight overdrive. I had all my pedals ready to produce any sound that was required for the job, but never had a chance to use them. While firing the amp up and coming up with ideas for a solo. The producer turned to me and said, “That’s it! That’s the sound i am looking for”. Using an AKG 414 as the main mic, the amp delivered an amazing amount of response and feel.
During the course of my first two weeks with the Little Giant, I wanted to put the amp to the test. Throwing all kinds of pedals in front of it and stacking different layers. Just wanted to see when the amp will choke up. I laid a drum track, recorded a rock bass riff and pushed the amp with a BB preamp by Xotic pedals. When I stepped on the pedal using the 5-watt position, I noticed the amp still had some air. By adding a compressor to the chain, I was hit with the richest rock tone I heard in the longest time.
Thinking to myself how to flip the mood and go for the extreme opposite??? BB King-style blues sound should do it, trusting the BB Preamp to deliver due to its name (Blues Breaker). Mind you, I had to change from the 5 to the 3-watt stage. The 3-watt on half volume is warmer than the 5-watt at the same volume stage. Rolling the gain down from the BB with a slight treble tweak really did sound very similar to the tone of the blues king himself.
Thank you for reading,